| updated on 10 février, 2009 | Spotlights on Saint James and Compostela | Former page |
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A brief overview of the major ideas of the Foundation |
How saint James returned to Galicia
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![]() | Compostela makes dreams. This distant galician town, extremely
Northwest of Spain, owes its fame to saint James. In the Bible, Matthew
presents the holy apostle Jacques as being " the son of Zébédée and brother
of Jean ". Marc adds that Jesus gave both brothers the nickname of " Bonaerguès,
that is son of the Thunder ". After the death of Christ, the Acts of Apostels
site Hérode " killed James, the brother of Jean by the two-edged sword
". In the VIIth century, biographers inform that James previously " had
preached the Gospel in Spain as well as in the other western countries
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A beautiful legend was worked out telling how the body of
saint James was returned in Galice after its torture, " by a raft without
sail nor rudder ". The arrival was followed by a series of weird adventures
: the followers who had accompanied James asked to a heathen queen, Luparia,
to to deposit the body of the Apostle in her lands. She refused and the
unfortunates fled. They were pursued by the royal troops who, conveniently,
died, by drowning thanks to the collapse of a bridge. Then Luparia proposed
to them wild oxen guarded by a dragon. They killed the dragon and tamed
the oxen. Luparia converted and finally allowed the burial in a place
which was soon forgotten. | |
The founding text : the chronicle of Turpin | |
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The chronicle said by Turpin (then Pseudo-Turpin), written
by the bishop Turpin, tells the story of Charlemagne, Roland and the knights,
who, in the name of saint James, left to deliver Spain. It starts with
the vision of saint James asking Charlemagne to come in Galice by following
the Milky Way. It then develops the story of the fights ending in the
death of heathen king Aigolan, after long pursuits. It ends on the defeat
of the Roncevaux and Charlemagne's death. This text was used as an authentic
document in France, in Spain and in the Germanic Empire to justify their
claims to be the successors of Charlemagne. In fact it is a pure invention,
the first doubts on its subject appeared in the XVIIth century.
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Men and women on the roads to Compostela | |
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Real pilgrims - Of business, which sometimes brings traders to visit
Compostela : the roadguides of the XVth century mention the road of sanctuaries
as well as the places of international fairs. Some traders are paid to
make pilgrimages instead of persons not wanting or not being able to pilgrim
themselves.
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| Literary pilgrims The pilgrim of Compostela occupies a modest place in literature,
no doubt proportional to reality. The portraits which are made give a
better image than the real pilgrim.The chansons de geste are inspired
by the Legend of Charlemagne (chronicle of Turpin) : the Chanson de Roland
develops the disaster of Roncevaux, Gui de Bourgogne reports the French
victories in Spain, where Charlemagne lived twenty seven years without
removing his armor. Novels add love stories and weird adventures. Blancheflor
begins with the attack of Norman pirates on the Cantabrique coast, the
Fille du comte de Pontieu,, who left with her husband to ask saint James
for a child, is violated in the galician forest. The Dits des annelés
illustrates the dangerous situations met by a fair pilgrim. The Dit des
Trois Pommes tells the pilgrimage of a rich trader’s son.
Symbolic crowds | |
![]() a recent frech translation of the Codex Calixtinus, manuscript of the XIIe century kept in Compostela |
Whatever has been said, the foreign pilgrims never rushed
in crowds to Compostela. The calculations made from the borders, hospitals
or brotherhoods documents, show very few pilgrims on the roads of France.
The pilgrims by sea were no doubt much more numerous. The first texts
which mention these crowds of " foreign people, coming from all the continents
" were issued in Compostela. In that city was invented, in the XIIth century,
THE ROAD OF SAINT-JAMES, a brilliant promotional campaign whose results
crossed the centuries. Compostela represents itself as the image of Paradise
on earth, a Paradise to which a very symbolic crowd walks on that road.
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